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  • Mosaic, 20x20 cm. Venus 1 inspired by the silk-screen prints form Ladislav Sutnar's "Strip Street Series"collection. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: black, cadmium yellow and blue. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized...
  • Mosaic, 20x20 cm. Venus 2 inspired by the silk-screen prints form Ladislav Sutnar's "Strip Street Series" collection. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: light pink, dark pink, red and blue. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise...
  • Mosaic, 20x20 cm. Venus 3 inspired by the silk-screen prints form Ladislav Sutnar's "Strip Street Series" collection. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: dark pink, red, grey and blue. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized...
  • Mosaic, 20x20 cm. Venus 4 inspired by the silk-screen prints form Ladislav Sutnar's "Strip Street Series" collection. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: pink, dark pink,  red, black and blue. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise...
  • To begin with, he made small, delicate compositions using collage with used postcards, tickets and all sorts of recycled paper. This was the first intimate step of a creative process that lead him to the famous series of the “Great American Nude”, oil paintings on canvas using well-defined flat color zones. This novelty brings together the classic modern...
  • Saul Bass successfully “turned the ordinary into the extraordinary” by showing spectators a world unknown to them and making them instantly familiar with it. Essential and always balanced between the amusing and the dramatic, his work influenced the visual aspect of all the films he contributed to. Be it through his posters or his title sequences, his...
  • Mosaic, 20x20 cm. Pattern 1 from “Triptyque Venezia – Red and Aqua” inspired by a classic Fortuny design. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: vermilion and blue. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized iron whichever best fits...
  • Mosaic, 20x20 cm. Pattern 2 from “Triptyque Venezia – Piumette” inspired by a classic Fortuny design. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: black and gold. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized iron whichever best fits with...
  • Mosaic, 20x20 cm. Pattern 3 from “Triptyque Venezia – Orfeo” inspired by a classic Fortuny design. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: black, violet and sterling silver. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized iron whichever...
  • Mosaic, 20x20 cm. Motif 1 from “Triptyque Treviso” inspired by designs of false upholstery frescoes in Treviso homes. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: cherry red, brilliant green and beige. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise...
  • Mosaic, 20x20 cm. Motif 2 from “Triptyque Treviso” inspired by designs of false upholstery frescoes in Treviso homes. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: red bordeaux, grey. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized iron...
  • Mosaic, 20x20 cm. Motif 3 from “Triptyque Treviso” inspired by designs of false upholstery frescoes in Treviso homes. Made with glass paste tiles, from the kilns of the Fornace Storica Orsoni. Colours: red, green and cadmium yellow. Each mosaic can be framed to choice: wood (treated and waxed) either whitewashed or dark-brown effect; otherwise oxidized...
  • Matisse was always fascinated by the female figure, and he spent a lifetime creating it using various techniques: drawing, painting or collage.Many years ago, the “Nude’s Back” was the first of his works that made me want to see it one day. This is how my personal tribute took shape, following Matisse’s own creative process. Mosaic, 20x20 cm. Made with...
  • “I do not distinguish between the making of a book and a painting”, Henri Matisse said about the monumental construction of the Florilège des Amours by Ronsard (the Anthology of love poems by Ronsard).This large portfolio of images, 126 woodcuts illustrating the artist’s book was published in 1948 in a limited edition by Albert Skira and was intended to...
  • Henri Matisse painted his series of "Blue Nudes" between 1943 and 1947. They form part of "Jazz", a limited-edition book with 20 prints, on show at the Pompidou Center, Paris. In later years, Matisse had to face declining health and find new ways to continue with his creative work: he painted sheets of papere until he found the right color.He then used...
  • What Matisse sought above all was the purity of the expressive means, which became a common element in all of his work.Whether he drew his models with a single line or with colors, what emerges are the emotions that the female figure causes him to feel. But for him color is a true liberation, and it seduces and leads the observer, like in a dream, to...
  • Whereas Klimt’s paintings are full of symbolic power and ornamental details, his drawings are more free and fluid. His pencil moves in total freedom, the lines are continuous and soft like a caress. He was a prolific draftsman. For each figure in his paintings he made a large number of preliminary drawings displaying disarmingly natural and beautiful...
  • After he moved to Paris, Modigliani’s work as influenced the atmosphere of the great events that occurred at the beginning of the 20th century.He made drawings, watercolors and paintings. But only when he started sculpting did he find the way to express his creativity, and he returned to painting in a total new fashion: the shapes were filled with light...
  • The art of Egon Schiele is firmly rooted in the expressionist revolution of the early 20th century and closely linked to Viennese art and culture.He lived his life in the name of his art, proudly, and, despite a restless attitude and behaviour, in the self-righteous eyes of his times, he achieved an immediate acclaim, which was not overshadowed by the...
  • A far cry from the symbolist spirit of his time and from the richly decorated scenes, Klimt goes against the conventions and surprises: he paints an elegant anonymous woman, distracted and spontaneous as if surprised by a photographer in a fragment of fleeting life. Mosaic, 20x20 cm. Made with glass paste tiles, from the kilns of the Fornace Storica...
Showing 1 - 20 of 22 items

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